Redirect: Kilopatrah Jones, Mike Servito, Tomás Urquieta, Bags, skoglund, HNDRNC, Erik Braun
About This Event
A lineup of Kilopatrah Jones, Mike Servito, Tomás Urquieta, Bags, skoglund, HNDRNC and Erik Braun presents a cross-section of New York’s contemporary electronic scene at Good Room. Sets foreground careful pacing, texture and live construction: Bags, skoglund and Braun favor room‑aware mixing; Urquieta works in hybrid live formats; Servito brings techno‑informed DJing while HNDRNC leans toward steady-building tension.
About the Artists
Mike Servito
Mike Servito is a DJ and music producer recognized for his contributions to the electronic music scene, particularly in the techno genre.
Tomàs Urquieta
Tomàs Urquieta is a New York City–based electronic artist and DJ whose work moves between club propulsion and live set construction. In recent years he has appeared at Green Room NYC and Public Records, including bills alongside Aaron Clark, estro, Lolina, Agonis, Kamran Sadeghi, Kat Offline, NASTIA, and Ayanna Heaven.
Bags
Bags is a New York City–based electronic artist and DJ who appears regularly in club settings, including Good Room in Brooklyn. Their sets have been heard alongside artists such as Kilopatrah Jones, Mike Servito, Tomàs Urquieta, skoglund, HNDRNC, and Erik Braun, including the lineup for “Redirect.
skoglund
skoglund is a New York City–based electronic artist and DJ whose work moves between club technique and live performance. At Oberon, they have presented live electronic sets, including the shared bill *Best Served Chilled: Erik Braun and skoglund* with Erik Braun.
HNDRNC
HNDRNC is an electronic DJ whose work circulates through New York City’s club circuit, including sets at Good Room. They have appeared on bills alongside Kilopatrah Jones, Mike Servito, Tomàs Urquieta, Bags, skoglund, and Erik Braun, including the “Redirect” lineup that threads these names together.
Erik Braun
Erik Braun is a New York City–based electronic artist and DJ whose work is built for the live room as much as the dance floor. At Oberon, he has presented sets that treat synthesis and pacing as compositional tools, shaping long arcs from granular shifts in texture.